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The title track of Transparent Towns reveals itself in its gentle grit today via Magnet Magazine. Influenced by the book “Invisible Cities” by Italo Calvino, I wrote on how our memories are altered by subsequent tales and encounters. We arrive at a town worn or leave a city with a faint destination in mind, all of our days. The venues and houses you stayed up late in are now paid parking lots and derelict shells, filled with the rust of a former era. These histories don’t disappear, they remain somewhere within our hardware and our recitations to friends and strangers, but even then, the memories change with every utterance. Memory is a forest, an ocean floor, a factory warehouse, and a general store, with items shifting on shelves. "Transparent Towns" stands to tell how I reconcile with those memories, even if it’s a fool’s errand.


Transparent Towns, the album, comes to you 9/19 via Tin Canyon Records and Well Kept Secret/Secretly Distribution.


Come see me this fall opening for SG Goodman:

Sept 18 - Dallas, TX @ Kessler Theater

Sept 19 - Houston, TX @ Heights Theater

Sept 20 - Austin, TX @ Antone's

Sept 23 - Tucson, AZ @ Club Congress

Sept 27 - San Francisco, CA @ Chapel

Sept 30 - Portland, OR @ Aladdin Theater

Oct 1 - Seattle, WA @ Crocodile

Oct 3 - Salt Lake City, UT @ State Room

Oct 4 - Denver, CO @ Bluebird


Thank you for listening, always.


John



With daring delight and measureless appreciation, I report to you the coming of our new record TRANSPARENT TOWNS, out via Well Kept Secret on September 19. Here is the first song, “Last Chance,” accompanied by a self-shot video documenting the tape melting on an incandescent Oklahoma summer from a hilltop in Tulsa.


In regard to the album, my grandmother Shirley had a saying that cemented itself in the ceiling of my childhood: If you collect memories throughout your life, as you age they turn to gold. As if the alchemy of remembering transmutes the very framework of who we are into a precious resource. I couldn’t help but wonder how these memories change with us in transit from the beginning of the journey to its grand terminus, wherever that may be. Can we rely on how we remember people, places, experiences, and our emotions? How are they transformed by progress, loss, and the ideals we wrap around these invisible monuments of time? Transparent towns and a series of roadside attractions, once gilded and glittering, now rusted and ransacked by wistfulness and the weather, behind the locked gate of days past.


Is the question what is truer? Does it matter, if even the act of remembering is us making more gold? The perfect storm of nostalgia shows no sign of letting up.


The album was performed by Megan Palmer, Kyle Reid, Andrew Perusi, and Alberto Roubert, with additional voices by Lydia Loveless and John Moreland. Engineered and mixed by Michael Trepagnier and mastered by Carl Saff. Album photo and layout by Rebecca Sarkar. Press photo by Amber Watson.


Transparent Towns is available for pre-order now in the store on this very site, and anyone who pre-orders a physical copy will be entered into a drawing for a limited-edition vinyl test pressing of the album.


As always, thanks for listening.


John



Reunited at Woody Fest for a night with brother John Moreland to play some guitar on songs I could never forget. What a shimmering moment to share. Chad Cochran caught these shots.

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All content © 2012-2025 John Calvin Abney, unless otherwise listed. All Rights Reserved.

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